5 Reasons To Use Liturgical Music In Your Contemporary Service

Republished with permission from Alex Mejias. Originally published at HighStreetHymns.com.

As a person who grew up in the age of CCM and “contemporary” worship, I had little exposure to traditional liturgies and “liturgical music.” I think the closest we came to using anything liturgical was when sang the Doxology (the “Old Hundredth”) as traveling music for the ushers after the offering. I don’t know about you, but I’m not sure that was the original intention of Thomas Ken, who penned those words back in the late 17th Century.

It wasn’t until after college that I had my first really full experience of traditional liturgy in spoken word and song. I had always had this image of stuffy Catholic services where people were being brainwashed to mindlessly repeat prayers and creeds. I never imagined that what I would find would be this giant collection of the most thoughtful and beautiful expressions of faith I’d ever encountered. I had been missing so much. Now I want to help churches find what I found and see meaningful ways to incorporate these prayers and songs into their worship. [Read more...]

REVIEW: Reuben Bidez – the Signs of God

Reuben Bidez The Signs of God
(Independent)

In all honesty, you may not be ready for this.

Following his big, anthemic, modern rock, corporate worship CD, GENERATION, Reuben – an Atlanta-based worship artist – felt a tug on his soul to do something quite a bit different with this project. Fans of Gungor, take note: though THE SIGNS OF GOD sounds nothing like Gungor, that same stretched feeling you got when first challenged by Gungor’s unorthodox take on worship resides here as well, for many reasons. [Read more...]

Worship Songwriting: What is the GQ (God Quotient) of Our Worship Songs?

Thanks to Mark Snyder for sharing this great approach with TWC. Not only is it a great practical approach to writing worship song lyrics, it’s also a great way to analyze our Sunday Setlists.

Worship songs are an area of vastly differing opinions. Evaluating what works and what doesn’t can be very subjective. One sentiment I hear and read all the time is ‘let’s take the focus off of us, or I, or me, and put it on God, where it belongs.’ In many ways, this is a push back on the effects of a ‘generation me’ culture. But, to figure out why a song leaves this impression is not as easy as it sounds.

As a career software engineer who is also a worship songwriter, I try to allow my analytical side to influence what I do musically. When I am songwriting or considering songs for my set list or recording projects, I like to think in terms of an analytical measure of a song I call the God Quotient (or GQ for short). GQ is a way to look at a song and try to evaluate its real focus. [Read more...]

Songwriting: What Rhetorical Device Can Martin Luther King Jr Teach Songwriters?

Originally published by Bobby Gilles at MySongInTheNight.com (republished with permission).

Martin Luther King Jr. is one of the great figures in U.S. history: a skilled orator, passionate preacher and principled civil rights advocate. He should also be required reading (and listening) for all poets, songwriters and hymnodists. Rich poetic and rhetorical devices fill his speeches and sermons, stamping them indelibly on our collective conscious. Let’s look at one technique today, from his “I Have A Dream” speech.

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Challenge And Appreciation: Art, Creativity, and The Same Old, Same Old

Throughout the history of the music of the Church there has been one consistent pattern. New waves of artistic, creative and beautiful musical revelations crashing onto the established shores of the normal, comfortable and expected forms of musical expressions of worship. The new comes bursting onto the scene, usually causing widespread head scratching and hand wringing.

The old is upset by the new, upended and disturbed by these brash, and unruly invaders. Then the new becomes normal and comfortable and before you know it the new is now the established. Then it happens again…and again…and again. [Read more...]

An Open Letter to Worship Songwriters

Thanks to Wisdom Moon (founder of All About Worship) for sharing this post with us today. It was originally published on AllAboutWorship.com.

This is an open letter to worship songwriters, from the ones that make a living writing worship songs to those that are just starting to write, and everyone in between.

PLEASE STOP regurgitating what’s already been said in a hundred other worship songs. We don’t need another song that says the same thing as “How Great is Our God”, “Mighty to Save”, and “You Never Let Go”. Write something fresh.

PLEASE STOP using the same chord progressions (i.e. A – E – F#m – D). Try something new and exciting. It’s okay to explore. [Read more...]

Book Review: Untitled by Blaine Hogan

Thanks to TWC member Lori Biddle for sharing this book review.

As a creative I often feel almost panicked to produce what is expected of me. It can be terribly lonely. I constantly search for other creatives to learn from or connect with. And then I found Blaine Hogan.

I first met Blaine in a programming meeting at WillowCreek that I attended with Nancy Beach.

Blaine and I bantered back and forth and I was immediately fascinated by his sharp mind and creative perspective; a unique and gifted leader without doubt.

His book “Untitled” had me at the title…or lack thereof.

His frank discussion of his personal struggle to tell his story was something I immediately connected with.

The spiritual longing that drew him away from full time acting (Prison Break tv show) and ultimately to the local church was nothing short of God’s calling to become a great leader to all of us. I take Blaine’s calling very personally and benefit from his obedience. [Read more...]

Glenn Packiam Responds To The Worship Community Member Questions

In early April, we featured Glenn Packiam’s newest project, The Kingdom Comes, and asked you, The Worship Community members, to ask Glenn some questions. We received A LOT of questions. It was hard to narrow them all down, but we selected (and combined) some that we feel will give our readers a great insight into where Glenn is in this stage of his journey and what he’s working on! [Read more...]

Matt Redman Collaborating with Sir Paul McCartney?: A TWC Interview

A few weeks back I – along with TWC Founder, Fred McKinnon – was blessed with the opportunity to hear some inspiring teaching and worship with some great new songs led by their writers, Matt Redman, Chris Tomlin, & the Nockels at the LIFT Worship Leader Collective put on by Passion City Church.  Anyone wanting to review notes from the conference can simply search for the #Lift in my Twitter stream.

Lift culminated in Matt recording his new live CD, and what a CD it is!  I’ve long been a Redman fan, and this CD seems to change things little for me: I’ve already picked at least 2 songs that I want to introduce to our congregation immediately.

Though the schedule was too packed to allow for a face-to-face interview, I was offered the opportunity to do a written interview of Matt, and the following e-conversation transpired as a result:

SHANNON: I’ve noticed that you’ve worked with quite a number of missional/church planting networks, such as Newfrontiers and Hillsong, for a time you were in the USA helping to establish Passion Church, and now - if I’ve heard correctly – you’re back in the UK working on something new. What drives your passion to plant churches?

MATT: I’ve had the privilege of being part of a few new church start ups, and all have been really different. It’s exciting to see a new church family taking root in a certain community and starting to impact lives. I love witnessing the fact that the gospel really does work. I’ve seen it happen with different expressions of church and in different environments. The kingdom of God is alive and well, and the gospel is powerful and effective.

SHANNON: Can you tell me more about the church you’re currently involved with, what your role is there, and how you balance the day-to-day of being both a touring recording artist and a worship pastor/lead worshiper in a local body.

MATT: We’re just getting involved in a church called St Peter’s in Brighton, UK. I’m not sure what our role will be, but I am excited about being involved as the challenge is so big. It’s a city of 250,000 people and has the lowest average age per person of any city in the UK. At the same time it’s probably also the most unchurched city in the UK, so there’s a huge challenge ahead. As for balancing travelling, family life and local church involvement, I don’t think I always get it right – it’s a learning curve!

SHANNON: What are you currently reading / have you recently read, and how does that play out on your forthcoming CD?

MATT: I’ve been reading some CS Lewis, some Tozer, some Spurgeon and some Piper – the usual culprits really!  I find inspiration for songs comes from many different sources. One song on the new forthcoming album was written in reponse to watching the news story a while back of those Chilean Miners being rescued. Other songs are straight from bible verses.

SHANNON: If you had to un-write all of your songs but one, which would you choose to have still written, and why?

MATT: That’s a tough question. Maybe a song like “Blessed Be Your Name” or “You Never Let Go” – as we’ve had so much encouraging feedback over the years from people who have found those songs a helpful way to talk to God when they’re walking through some very tough life situations.

SHANNON: As a songwriter, often co-writing with my wife, I’ve noticed that many of your most far-reaching song were co-written with your wife, Beth.  How does that process play out?  Do you find that it is more of a struggle to write with your wife as opposed to other worship songwriters?  Does she ever travel with you as a vocalist/musician? (I had submitted this question before realizing that Matt’s wife, Beth, was on stage with him the whole time as one of his vocalists – oops!)

MATT: My wife is a really good singer, and a very melodic songwriter. The thing I love most about her creative gifts is she’s a great completer/finisher of a song. Multiple times she will come into a song half way through the process and make contributions, edits and melody changes which make a big difference to the final song.

SHANNON: If you could co-write with any other songwriter – living or dead - who would it be and why?  Similarly, who are some of your greatest musical influences – Christian or secular?

MATT: A lot of my favorite songwriters I actually have the privilege of writing with already! Chris Tomlin has a great gift of speaking in a really universal way through songs. Jonas Myrin who I’ve written over 20 songs with in the last few years brings a great energy and enthusiasm to the songcrafting process, and has so many great ideas. Matt Maher is a really great ‘crafter’ of a song – very poetic and very thoughtful. Jason Ingram seems to have a constant flow of inspiring melody ideas. There’s lots of other friends I love writing with too. But other than all these guys, I’d have to say my favorite songwriters are Charles Wesley and Sir Paul McCartney!

SHANNON: As a successful songwriter, I’m sure you have your critics, as that’s the nature of things.  Since most readers of TheWorshipCommunity.com either work or volunteer at a church, I think it may help us to know how do you handle critics and criticism?  Is your response any different if that criticism comes from leadership within the (your?) church?

MATT: I think it’s easy to get sensitive when it comes to such vulnerable things as songwriting or leading on a stage. So we need to be ready to be humble – rather than getting defensive. That’s easier said than done, but my aim even with harsh criticism or that which at first you think is unfair, is to try and see if there’s any truth in it. Humility is an essential ingredient for any leader.

SHANNON: When you find yourself up front as a worship leader/lead worshiper, what is your primary goal: do you have any specifics you’d encourage younger worship pastors to keep in mind under the same circumstances?

MATT: I think the main things is to encourage young leaders to think about what picture of God they are giving people through the songs they choose and write. Week after week, are we including all the main themes of scripture, and we are aiming to paint a big picture of God?

Thank you, Matt, for answering my questions.  I’m really looking forward to your forthcoming CD, and I hope to review it (as I did your last) as soon as it becomes available!

So, TWC Subscribers – what’s your favorite Matt Redman song (personally), and why?  Is there anything in his catalogue that you use often at your church that may be a suprise to the rest of us – a “hidden gem”, so to speak?  Do share, and thanks for reading/chiming in!

Aaron Keyes Interview Part 2: “Are We Really Worshiping?”

In preparation for the international re-release of Aaron Keyes‘ last CD, NOT GUILTY ANYMORE, Kingsway Records had contacted TWC to request an interview. Knowing that I’d occasionally led worship at Aaron’s church, Fred McKinnon – founder of TWC – suggested that I take this on.   Aaron came into town to lead worship for SuperWow over on Jekyll Island, which is practically next door, so I snagged the opportunity, and what an interview it was!  You can see Part 1 Here.  Sadly, a number of technical delays led to the loss of some alternate footage, but I have the continuation of the interview right here as we discussed issues that concern us regarding the current state of “worship” and ask the question, “Are we really worshiping?”  In Summary, Aaron says, “We’ve got to do more than lead songs – we’ve got to lead people.

AARON KEYES INTERVIEW PART 2